‘I definitely needed a lie-down after that!’ Your most nerve-wracking episodes of TV of all time
Spooks – I Spy Apocalypse from 2003
This installment starts with the MI5 agents confined during a training exercise about a potential terror incident, monitored by two government representatives. As things progress, it appears that there really has been an attack with a chemical weapon released. The suspense builds as reports reveal a disaster happening externally, and intensifies as the boss appears to be infected, and the government agents endeavor to depart, compelling the character played by Matthew Macfadyen to choose between firing at them or permitting their exit and risking contaminating the sealed MI5 offices. This being Spooks, it is unsurprising which one he chooses.
Threads from 1984
Threads was low budget yet among the scariest shows I have ever watched owing to its grim authenticity and grim official statistics. Saw it not long ago having watched the original; I often attended the bar in Sheffield from the programme which underscored the actuality and the offhand factual official statements that aired. Still absolutely terrifying decades on.
Severance – The We We Are (2022)
The concluding episode of Severance’s debut season has to be right up there as a tense chapter. I was throughout the episode actually sitting tensely, exerting with Dylan to hold the switches that allowed the Innies to remain active, while shouting to the Innies to get their truths out there. The final climactic moment – “she’s alive!” – felt like an explosion.
Industry – White Mischief (2024)
Installment five in Industry’s third series caused my heart to pound. I had to pause and get up and depart the area multiple times due to the immense extent of the wanton self-destruction I saw. Rishi Ramdani is in deep shit professionally and personally – up to his eyeballs in debt from unscrupulous lenders because of his compulsive gambling, assuming hazardous chances with a gamble on the pound which may result in huge losses for his employer. Naturally, he embarks on a betting frenzy, consumes excessive substances and alcohol and alternates between success and failure, is brutally attacked. Every time you think it can’t get any worse, it does. Redemption seems possible as the installment closes but he misses the opening, resulting in dreadful effects in the concluding part of the season. Absolutely had to relax following that!
Peep Show – Holiday (2007)
Peep Show is not inherently a tense series. However, the Holiday episode contains such levels of cringe that it will make you rise throughout the entire episode, filled with nervousness. The tension escalates once Jeremy and Mark find themselves needing to deceive regarding the dog they unintentionally hit and later efforts to get rid of it. You subsequently use the rest of the installment wondering if it might be more awful than cremation, and it turns out to be!
The 2001 The West Wing episode The Two Cathedrals
No other viewing has been as gripping compared to my initial viewing the concluding episode of The West Wing’s second season. The episode starts with the aftermath of the death (in a traffic accident) of the president’s confidential aide and reaches a crescendo involving a Haitian emergency, and the fallout from the non-disclosure about the president’s MS condition, along with affirmation of his plan to run for another term. Superb programming. Unsurpassed.
Bodyguard – episode one from 2018
The start of the British program Bodyguard, with the protagonist on a train accompanied by his small son, is personally a top tense installment. He observes a woman in Islamic attire heading to the toilet and realizes something is amiss. The bomb squad is alerted, enter the train, and try to persuade the woman to remove her explosive vest. Anxiety builds to an almost unbearable degree, until yes, the vest is diffused.
The 2001 Buffy episode The Body
Buffy enters her house to find her mum has passed away from natural reasons, which is the rarest form of demise in this mystical program. The installment lacks any soundtrack, a gloomy atmosphere, and we witness the episode via the perspective of Buffy’s dismay upon uncovering her mother.
The Sopranos – Made in America (2007)
The ultimate sequence of the series finale of the program was incredibly anxious. And if you watched it when it originally aired, you – initially – were uncertain of the reason. Tony’s foes, genuine and fictional, had all been defeated. Doesn’t this resemble the season one conclusion? “Recall the minor details.” But the mood is bizarrely ominous. Almost Twin Peaks levels of terror. The clan sits in an eatery. Meadow parks. Tony gloomily informs Carmela difficulties are arising with yet another of his crew cooperating with the officials. Meadow parks the vehicle. Unfamiliar individuals come into the diner. Stare at Tony(?) Meadow continues to park. Tony puts a record on the jukebox. Meadow parks. The door chimes, a person comes in. It cannot be Meadow, she is still parking. Tony raises his gaze. Continue. It ceases. My spirit fell about 20 minutes later.
The Walking Dead – The Last Day on Earth from 2016
I kept late hours to see this show in the early morning. It was so intense after the establishment of antagonist Negan finding the group, savagely teasing his prey then not knowing who he killed (finished with an unresolved situation). The point-of-view shot from the victim and the muffled sounds – ugh! {We then had to wait for season seven|We then needed to await season